Wurlitzer Styles: Difference between revisions
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Revision as of 14:44, 23 June 2025
Wurlitzer Theatre Organ Styles
The Rudolph Wurlitzer Company developed numerous theatre pipe organ styles in the early 20th century to suit venues of all sizes — from small neighborhood cinemas to grand movie palaces. Each style number refers to a specific configuration of manuals, pipe ranks, percussions, and trap instruments.
Style Specifications Table
| Style | Built | Manuals | Ranks | Perc. | Traps | Console Type | Earlier Style | Later Style |
|---|---|---|---|---|---|---|---|---|
| 1 | 30 | 2 | 4 | 4 | 7 | PC | A | 135 |
| 100 | 20 | 2 | 3 | 1 | 0 | SC | 115 | |
| 105 | 38 | 2 | 3 | 2 | 0 | PC | ||
| 108 | 49 | 2 | 3 | 4 | 3 | PC | 125 | |
| 109 | 55 | 2 | 3 | 4 | 17 | PC | 130 | |
| 110 | 8 | 2 | 3 | 2 | 0 | PC | ||
| 115 | 2 | 3 | 1 | 0 | SC | 100 | ||
| 120 | 2 | 3 | 2 | 0 | PC | 105 | ||
| 125 | 1 | 2 | 3 | 4 | 3 | PC | 108 | |
| 130 | 2 | 3 | 4 | 17 | PC | 109 | ||
| 135 | 203 | 2 | 4 | 4 | 17 | PC | 1 | |
| 140 | 5 | 2 | 4 | 3 | 17 | CC | B | |
| 150 | 28 | 2 | 5 | 3 | 19 | CC | B | |
| 160 | 84 | 2 | 6 | 4 | 17 | PC | 2 | |
| 165 | 19 | 2 | 6 | 4 | 20 | CC | D | |
| 170 | 15 | 2 | 5 | 3 | 17 | CC | ||
| 175 | 6 | 2 | 7 | 4 | 18 | CC | E | |
| 185 | 33 | 2 | 7 | 5 | 14 | CC | 3 | |
| 190 | 44 | 2 | 8 | 4 | 18 | CC | ||
| 2 | 3 | 2 | 6 | 4 | 17 | PC | L | 160 |
| 200 | 17 | 2 | 8 | 5 | 14 | CC | F | |
| 205 | 6 | 2 | 10 | 5 | 14 | CC | HNP | |
| 210 | 51 | 2 | 9 | 5 | 15 | CC | 5 | |
| 215 | 14 | 2 | 10 | 6 | 14 | CC | ||
| 216 | 12 | 2 | 10 | 6 | 14 | CC | ||
| 220 | 7 | 3 | 10 | 6 | 15 | CC | H3M | |
| 225 | 1 | 3 | 11 | 6 | 14 | CC | ||
| 230 | 6 | 3 | 11 | 5 | 15 | CC | BAL1A | |
| 235 | 64 | 3 | 11 | 7 | 15 | CC | BAL1 | |
| 240 | 24 | 3 | 13 | 6 | 12 | CC | BAL2 | |
| 250 | 4 | 3 | 14 | 6 | 14 | CC | ||
| 260 | 62 | 3 | 15 | 7 | 14 | CC | BAL3 | |
| 270 | 4 | 4 | 21 | 7 | 20 | CC | ||
| 285 | 7 | 4 | 32 | 9 | 22 | CC | ||
| 3 | 47 | 2 | 7 | 5 | 14 | CC | N | 185 |
| 35 | 6 | 3 | 15 | 6 | 15 | CC | 260 | |
| 4 | 11 | 2 | 8 | 5 | 10 | CC | ||
| 40 | 1 | 2 | 3 | 1 | 0 | SC | ||
| 5 | 1 | 2 | 9 | 5 | 15 | CC | 210 | |
| 6 | 2 | 3 | 13 | 6 | 4 | CC | ||
| A | 1 | 2 | 4 | 4 | 17 | PC | 1 | |
| B | 225 | 2 | 4 | 3 | 17 | CC | M | 140 |
| BAL1 | 3 | 11 | 7 | 16 | CC | 235 | ||
| BAL1A | 7 | 3 | 11 | 6 | 16 | CC | 230 | |
| BAL2 | 6 | 3 | 13 | 5 | 15 | CC | 240 | |
| BAL3 | 6 | 3 | 15 | 6 | 17 | CC | 260 | |
| BAL4 | 4 | 3 | 19 | 6 | 17 | CC | ||
| C2 | 3 | 2 | 3 | 0 | 0 | SC | ||
| C3 | 3 | 2 | 3 | 0 | 0 | SC | ||
| CH | 135 | |||||||
| D | 201 | 2 | 6 | 4 | 20 | CC | 165 | |
| E | 165 | 2 | 7 | 4 | 18 | CC | 175 | |
| F | 81 | 2 | 8 | 5 | 14 | CC | 200 | |
| F3M | 13 | 3 | 8 | 5 | 14 | CC | 200 | |
| FOXSP | 5 | 4 | 36 | 13 | 27 | CC | ||
| G | 2 | 10 | 5 | 14 | CC | 205 | ||
| GRA1 | 6 | 3 | 8 | 5 | 16 | CC | ||
| GRA2 | 6 | 3 | 8 | 5 | 16 | CC | ||
| H | 56 | 2 | 10 | 6 | 14 | CC | ||
| H3M | 19 | 3 | 10 | 6 | 15 | CC | 220 | |
| HNP | 23 | 2 | 10 | 5 | 14 | CC | 205 | |
| HYMGB | 2 | 3 | 8 | 4 | 14 | CC | ||
| J | 13 | 2 | 7 | 5 | 14 | CC | N | |
| L | 9 | 2 | 6 | 5 | 14 | PC | 2 | |
| M | 6 | 2 | 4 | 3 | 17 | CC | B | |
| N | 3 | 2 | 7 | 5 | 14 | CC | J | 3 |
| PUB1 | 17 | 4 | 20 | 8 | 9 | CC | ||
| PUB2 | 4 | 22 | 8 | 9 | CC | |||
| PUB3 | 4 | 25 | 8 | 9 | CC | |||
| PUB4 | 1 | 4 | 26 | 8 | 9 | CC | ||
| R13 | 1 | 2 | 6 | 1 | 0 | CC | ||
| R14 | 1 | 2 | 9 | 2 | 0 | SC | ||
| R15 | 4 | 2 | 10 | 4 | 0 | SC | ||
| R16 | 2 | 3 | 10 | 2 | 0 | SC | ||
| R20 | 7 | 3 | 12 | 2 | 0 | SC | ||
| R25 | 3 | 14 | 2 | 0 | SC | |||
| R5 | 6 | 2 | 5 | 1 | 0 | SC | ||
| RJ11 | 6 | 2 | 7 | 3 | 0 | SC | ||
| RJ12 | 7 | 2 | 7 | 4 | 5 | SC | ||
| RJ2 | 1 | 2 | 3 | 0 | 0 | SC | ||
| RJ3 | 1 | 2 | 3 | 2 | 0 | SC | ||
| RJ4 | 11 | 2 | 4 | 0 | 0 | SC | ||
| RJ6 | 1 | 2 | 6 | 2 | 0 | SC | ||
| RJ8 | 2 | 2 | 6 | 2 | 0 | SC | ||
| SCH10 | 3 | 2 | 5 | 0 | 0 | SC | ||
| SCH11 | 5 | 2 | 4 | 0 | 0 | SC | ||
| SCH20 | 6 | 2 | 5 | 1 | 0 | CC | ||
| SCH21 | 2 | 2 | 5 | 1 | 0 | SC | ||
| SCH22 | 1 | 2 | 5 | 1 | 0 | SC | ||
| SCH25 | 5 | 2 | 6 | 1 | 0 | SC | ||
| SCH30 | 1 | 2 | 6 | 1 | 0 | CC | ||
| SCH32 | 1 | 2 | 7 | 2 | 4 | CC | ||
| SCH35 | 2 | 2 | 7 | 2 | 0 | CC | ||
| SCH40 | 1 | 2 | 7 | 1 | 0 | CC | ||
| SCH5 | 4 | 2 | 3 | 0 | 0 | SC | ||
| SCH51 | 1 | 2 | 8 | 1 | 0 | CC | ||
| SCH6 | 1 | 2 | 3 | 1 | 0 | SC | ||
| SCH61 | 5 | 3 | 9 | 2 | 0 | CC | ||
| SCH7 | 4 | 2 | 3 | 0 | 0 | SC | ||
| SCH75 | 1 | 3 | 21 | 2 | 0 | CC | ||
| SP | 107 | |||||||
| UNN1 | 3 | 3 | 8 | 5 | 12 | CC | ||
| UNN2 | 2 | 3 | 7 | 5 | 12 | CC | ||
| UNN3 | 4 | 3 | 8 | 4 | 12 | CC | ||
| V | 26 | 2 | 8 | 1 | 0 | PC |
Understanding Wurlitzer Styles
The STYLE field in Wurlitzer documentation refers to the standard model designation of an instrument. Wurlitzer developed a wide range of standard models, each labeled with a style number or code (e.g., Style 135, Style J, Style BAL1). However, a significant number of instruments built were classified as specials — unique configurations tailored for specific clients, theatres, or musical preferences.
Style Series
There were four overlapping series of style designs over the course of Wurlitzer's production history. Some styles evolved and were rebranded over time. For example:
- Style J became Style N, then Style 3, and eventually Style 185.
Some styles were custom-designed for specific theatre chains:
- BAL1, BAL1A, BAL2, BAL3, BAL4: Built for Balaban & Katz.
- GRA1, GRA2: Built for the Granada Theatres.
- UNN1, UNN2: Built for Union Theatres (UK).
- HYMGB: Built for Gaumont-British Theatres.
Other prefixes indicate the instrument type or installation context:
- R, RJ: Residence models with cabinet or junior players.
- SCH: Church organ models (Scheme series).
Common Special Suffixes
These suffixes often appear after the style number to indicate modifications:
- X
- Divided chamber instrument (applies to ≤7 ranks)
- NP
- No piano included
- PL
- Includes player mechanism
- EC
- Echo chamber present
- 2M, 3M, 4M, 5M
- Indicates the number of manuals
- 3C, 4C
- Coupler console with a non-speaking 3rd/4th manual (UK only)
Why Were Specials Ordered?
More specials were built than standard styles. Reasons included:
- Custom design for theatre acoustics or layout
- Requests by specific organists
- Aesthetic or competitive advantage for the theatre
- Budget or pricing strategies
- Sales incentives for Wurlitzer representatives
Specials could involve:
- Adding or substituting ranks
- Expanding percussions or traps
- Changing console configuration
- Dividing chambers for better tonal distribution
Style-Relevant Abbreviations
The following abbreviations are frequently seen in Style descriptions or specifications:
- MN
- Manual (keyboard)
- PC
- Publix Console
- SC
- Straight Bolster Console
- CC
- Curved Bolster Console
- SV
- Slave Console
- SC
- Style C Console
- CS
- Console
- GR
- Great Manual
- SW
- Swell Manual
- SO
- Solo Manual or Chamber
- PD
- Pedal
- RK
- Rank
- UN
- Unification
- ST
- Style (designation)
- PR
- Tonal Percussions
- TS
- Traps (non-tonal percussions)
- CM, XY, SB, KD, CY, TY
- Various percussion effects
- TB, TR, TU, TM, KI, VH, HF, VO
- Common ranks
- PL
- Player system
- NP
- No piano
- EC
- Echo chamber
- 3M, 4M, 3C, 4C
- Console/Manual variants
- SP
- Special